A woman with black hair wearing a black sleeveless satin top and black pants standing in a wooden interior, looking at the camera with a confident expression.

About

For me, architecture isn’t just about form and function;

it’s about creating spaces that resonate with the lives of those who inhabit them.

Architecture begins with listening.

Most clients come to me feeling overwhelmed by the decisions involved in renovating or building a home. They want something lasting and well considered, but worry about getting it wrong, making choices that feel rushed, trendy, or difficult to undo.

My role is to bring clarity to that process.

I work on renovations, additions, and custom homes, guiding clients through complex decisions with careful judgment and a steady, structured approach. Rather than rushing toward construction, I help clients slow the process down, study options thoughtfully, and make confident decisions that will hold up over time.

A woman sitting on a light-colored sofa in a sunlit room, smiling. She has dark, wavy hair and is wearing a gray blazer over a white top, black and white striped pants. The room has large windows with white curtains, and there are green and patterned pillows on the sofa.

Background

I was trained in a modernist architectural program at North Carolina State University, where clarity of concept and technical discipline formed the foundation of the program. I worked intensely during those years, earning academic recognition, awards, and opportunities at some of the most respected firms in the region.

My early professional experience focused on highly conceptual contemporary architecture, which strengthened my approach to design with clarity and intent.

Today, most of my work is grounded in classical architecture. I study historic buildings not for replication, but for understanding.

We are drawn to older buildings because they are composed of individual parts with a human scale. When those parts are arranged with balance, symmetry, and proportion, they form a cohesive whole that feels instinctively right. These details are where I devote the most time and attention, and they are often what distinguish good design from great design.

I carry this same measured approach through the entire project. Calm authority, discretion, and the ability to navigate complex decisions without pressure or stress are central to the experience of working together.

To maintain this level of attention, I intentionally limit the number of engagements each year. This allows for close oversight, thoughtful coordination, and consistent involvement from beginning to end.

Curriculum Vitae

Experience

ARCHITECTURAL REGISTRATION
North Carolina 2017

LOUIS CHERRY ARCHITECTURE
Project Designer 2018

HOBGOOD ARCHITECTS
Project Designer 2016 - 2018

VINES ARCHITECTURE
Project Designer, Intern 2011 - 2016

NC HISTORIC PRESERVATION OFFICE
Intern 2009

LS3P / NEAL PRINCE ARCHITECTS
Intern 2007 - 2008

Awards

ACADEMIC

KAMPHOEFNER HONOR FELLOWSHIP AWARD 2011

ULI / HINES URBAN DESIGN COMPETITION 2011
NATIONAL: Honorable Mention / STATE: 2nd Place

SHAWCROFT PRIZE FOR DRAWING
2010, 2009 Nomination

NCSU STUDY ABROAD GRANT
2011

AIA TRIANGLE SCHOLARSHIP
2010 Nomination

O’BRIEN / ATKINS FELLOWSHIP
2009

HARRY B. GILBERT FELLOWSHIP
2008

PROFESSIONAL

AIA Triangle HONOR AWARD 2019
NC A&T New Student Center

AIA Triangle MERIT AWARD (UNBUILT) 2016
NC A&T New Student Center

AIA NC MERIT AWARD (UNBUILT) 2014
NC A&T Student Center

AIA NC MERIT AWARD (UNBUILT) 2014
NC Civil War History Center

NATIONAL COMPETITION FINALIST
Atlanta History Center

GLOBAL COMPETITION FINALIST
Golden City Summer Pavilion, Novosibirsk, Siberia

Education

NC STATE UNIVERSITY
Masters in Architecture
2008 - 2011

WOFFORD COLLEGE
B.A. Intercultural Studies for Business, Spanish
2003 - 2007

PARSONS THE NEW SCHOOL FOR DESIGN
Summer Studies in Architecture Program
2006